Friday, 21 November 2014

Review of There! Lays Ubuntu

...A melting pot of raw talent...


Sakhiwo Arts and Catalina Unlimited yet again presence another entertaining, creative moralistic story There!Lays Ubuntu
is a grotesque musical written and directed by Musa Ntuli.

There! Lays Ubuntu its a story about love,crime,honesty and religion,also touches on prudish themes that are very much relevant today with twist and turns and surprises.

This musical is nimble-fingered and beautifully woven,it is layered with poetry and dance. Musa Ntuli managed to work with twenty two actors,and they all delivered a vibrant musical and the space was artistically used.The music is well put together, the harmonies are fresh and catchy to the ear.

 The script shows a great potential, it still needs more developing, perhaps the writer could get a dramaturge to assist in making the script stronger.

The stage has chairs covered in a black cloth, a cross symbol is drawn on the black cloth, which it symbolizes a grave yard. That is where Ubuntu lay.

 There! Lays Ubuntu  is a sensitive piece of theatre it carries so much depth and truth.The story is made up of a community of people you can easily recognize from your own townships and the audience has a gateway to dive in behind closed doors.
I applaud the cast for dedication and passion, Sakhiwo Arts is a melting pot of raw talent indeed.

There! Lays Ubuntu.
21,22,23 November 2014
Catalina.
Book Compu-ticket
Tickets @ the door.
photo by Sandy Bigara
www.sandybigara.com

Review by Philisiwe Twijnstra

Saturday, 27 September 2014

Review of Me and Twirling skirt.

Sakhiwo Arts and Development centre presents two shows in Catalina Theatre. It's so refreshing to see  new faces and raw talent in the arts scene. These shows only have a short run in Catalina Theatre.

Me and Twirling Skirt is written and directed by Musa Ntuli and Zama Msibi it's a double bill of back to back,two shows with a same theme and subject, diffferent scripts and directors interconnected.A story about victimized women sharing their struggle, the plot unfolds in different scenes that collide to prolong the theme of the play,intertwined with music, movement and poetry.Second story of a girl who gives a clear explanation of why she has more than one partner.

  Me and Twirling skirt is creatively directed which makes the whole piece interesting.Both scripts show potential yet they still need more growth and development,this kind of story telling has been done before,and the writing might fall under preachy mode become predictable.

The actors held the story together, they performed with zeal and full commitment, it has been a while since I have seen such dedication and professionalism on stage. Mayenziwe Zuma has a sterling  presence on stage yet one must realize that projection is vital in storytelling.

Having said that, it's not a waste of money to watch this shows, thoroughly enjoy it.
Iam looking forward to more of Sakhiwo Arts and Develeopment Centre.

The run in Catalina is still, on tonight 19:00 
R60 @the door
26-28September


Saturday, 12 July 2014

Review of Gogo and Big Sister

Review of Gogo and Big Sister.

Gogo and Big Sister directed by Princess Zinzi Mhlongo a 2012 standard bank young artist award recipient, she has proved that she is indeed a versatile director who can create wonders in theatre, Music Director is Ezbie Moilwa.

If anyone can reveal the secrets of what happens in a dressing room will be amazingly shocked by the realities and difficulties of one goes through before the opening show. Gogo and Big Sister is a simple, clean, cathartic storytelling with music interludes about the love of music in three generations of talent.

This beautiful music get away is made up of Thembi Mtshali-Jones who plays Gogo, which the word Gogo makes you think of experience and maturity, a person that has something to share. I have never heard Thembi so up close and honest, it feels like her experience told in three different generations.
 The story dives in how she as gogo started her career, who she encountered on her way, who she met and indulge with.
A vivacious diva trapped in drugs but still contains a beautiful broad range voice with a commanding sassy presence is Hlengiwe Lushaba she plays Big sister, in the story she represent those who are stagnant and trapped yet still passionate in music. She plays her role with full honesty and consistency which shows her skill as an actress and a singer.
Lillian Tshabalala she shines in her light as well, with a husky jazzy soprano voice entangle in a senseless young girl who dreams to be a star innocently she plays little sister who is 20 years old.

Three different voices of different age, and experience yet blend beautifully and compliment one another so graciously. I sat smiling and filled with tears of joy and remembrance of how blessed Iam  to have witness this storytelling that equally celebrates our legends. 

How ever I do think that the script feels like it was written too quickly it needs polishing and more research, it appears to be cliche' and easy. Would be more interesting if the writer dived deeper and tell us what we have never heard being told before.
I hope Gogo and Big Sister can tour and share this proud beautiful story.


Grahamstown Festival 2014



Review by Philisiwe Twijnstra

Saturday, 21 June 2014

Review of Mine Boy By Caroline Smart

REVIEW FOR ARTSMART

© Caroline Smart (editor of artSMart)

http://www.artsmart.co.za

Date: June 21, 2014

(031) 2616036

csmart@iafrica.com

082 892-3959

 

MINE BOY

Stable Theatre: June 21 to 24

 

 

Co-directors Roel Twijnstra and Jerry Pooe have created a hard-working and energetic team drawn from varied levels of ability and experience to present the first musical adaptation of Peter Abrahams’ ground-breaking novel, Mine Boy.

 

Mine Boy is a collaboration between the Wushwini Arts and Heritage Centre, the drama department of the University of KwaZulu-Natal’s Howard College campus and Stable Theatre. The cast is made up of independent artistes, members of Eager Artists and UKZN students.

 

Written in 1949, it was one of the first books to look at the conditions of blacks in South Africa a year after racial segregation was introduced. Roel Twijnstra, who is also in charge of set and costume design, adapted the novel and has portrayed the humour, noise, chaos, anger, passion and resilience of the times.

 

The leading character is Xuma who leaves his home to travel south to Johannesburg to find work. He is unfamiliar about city ways but soon learns what it means to have a black skin. He is taken in by a shebeen queen, Leah, who steers him towards her niece, Eliza. Forming a love triangle is the loyal Maisy.

 

Xuma finds work on the mines. He is good at his job and builds up an amicable relationship with his boss. A mine disaster unites one and all in a fever of resistance.

 

Heading the cast as Xuma and Leah are Tafi Hanes and Philisiwe Twijnstra who both deliver consistently strong and articulate performances. Philisiwe is particularly memorable in this role which reveals her skills as an actress, singer and dancer.

 

In a production that has some highly dramatic effects, other notable performances come from Sxaxa Henema, Chuma Mapoma, Nqobile Mthemba and Chris du Plessis.There are some vibrant dance sequences choreographed by Sifiso Majola together with the cast. Design and video projections are by Doung Jahangeer, photographs by Dean Hutton.

 

Most theatre venues have their challenges, especial those which have been converted into performance spaces - ie too big, too small, too wide – all of which impact on the acoustic value. Stable Theatre is a former disused electrical warehouse turned into a theatre space by the late Kessie Govender. The roof is extremely high and the walls are bare brick, all of which impacts on the acoustics.

 

Performers need to take this into consideration and ensure that their diction is clear and projected, which wasn’t always the case in Mine Boy. Another problem is that while the vocalised reactions from the ensemble are full of energy, they often drown the speech of those performers carrying important dialogue.

 

The actors also need to “find the light” – in terms of placing themselves or lifting their faces to the available light otherwise facial expressions and moods are lost.

 

Mine Boy runs at Stable Theatre with performances for the public tonight (June 21) at 19h00, tomorrow (June 22at 15h00 and June 24 at 19h00.

 

Performances for schools take place on June 23 at 10h00 and 12h00 and June 24 at 10h00. Tickets R50 (R35pp for schools).

 

All bookings are through Stable Theatre on 031 309 2513 (office hours) and tickets will also be available at the door. – Caroline Smart

 

Performances at the Elizabeth Sneddon Theatre will run from September 26 to October 5. This production of Mine Boy is made possible through generous support from: KZN-DACCity of Ethekwini, UKZN and Santam.

 

Tafi Hanes and Nqobile Mthemba pic by Val Adamson

Sunday, 27 April 2014

BLACKOUT: Review of HAVE WE BEEN HEARD?

BLACKOUT: Review of HAVE WE BEEN HEARD?: Review of Have we been heard? Lethulwazi Zinosa Productions presents   Have we been heard?  written and directed by the veteran actor Bhe...

Review of HAVE WE BEEN HEARD?

Review of Have we been heard?

Lethulwazi Zinosa Productions presents Have we been heard?  written and directed by the veteran actor Bheki Mkhwane. Have we been heard? is the show awaited patiently by Durban audience, it is the highlight of this weekend. I myself was interestingly beholding my enthusiasm and curiosity. Its been a while since i witness such excitement amongst ordinary people,theater lovers and artist even politicians.

The play traces back the political ideas and conflicts that ruled the lives of communities in the township in the 1980s.The set is made up shacks and a town hall used as a church, the setting sets you back to a township lifestyle, the stage opens up with a dance piece, leading to young school girls playing in their school uniform, the tone of this scene is playful and light prepares you for a disastrous outcome. We are introduced to a drunkard guy played enormously by Hamilton Dlamini he ends up dead early in the scene this emphasizes the cruelty of the struggle in apartheid regime of that time.  

Have we been heard? had only one night performance in ICC ARENA, the cast is made up of well known faces in the industry (Thembi Mtshali-Jones, Hamilton Dlamini, Bhekani Shabalala,Fikile Mlomo and Celeste Ntuli.) The show is accompanied by a live band with musicians like Lu Dlamini,Khanyo Maphumulo and thirty-five beautiful synchronized dancers who profuse unabated detail and energetic dance choreography .

Although  it was Wiseman Mncube who played Lunga a notorious influential comrade leader and Musawenkosi Ntuli who played Zwelihle a heartfelt, peace driven comrade leader they complimented each other and both oozed brilliance and delivered a breath taking performance they relived and took me to a journey of apoplectic and enigma. Bhekani Shabalala's mannerism on stage is on point, his comic timing salutes the talent he has, it was such a release of laughter and joy to watch him.

Having said that the pitfall of this show was the choice of vanue, ICC is not acoustically designed for a theater piece therefore it did not  enhance the greatness of the show. The sound was not audible when dialogue was delivered only when they sang it was loud even to loud.

Hence overall i personally enjoyed it, i sang along and was mesmerized by Durban talent, i hope to see Have we been heard? tour and share our story all around the country.
Review by Philisiwe Twijnstra
 

Sunday, 13 April 2014

BLACKOUT: Swallowed.

BLACKOUT: Swallowed.: Review of Swallowed A collaboration between Zimbabwe and South Africa presents a  thought provoking workshopped piece  directed by Roel ...

Swallowed.

Review of Swallowed

A collaboration between Zimbabwe and South Africa presents a  thought provoking workshopped piece  directed by Roel Twijnstra and Daniel Maphosa inspired by  an idea instigated by Jerry Pooe.Swallowed is a made up of five actors(Bongumusa, Shabalala,Musawenkosi Shabalala,Nhlakanipho Maphulo,Ted Mangawa and Tafadso Hananda.)

Swallowed is a play about greed, power and land ownership. It is looks like its influence by Antonin Artaud's theatre of cruelty yet with lot of humour and light comedy watching this piece makes you shatter in your own primal honesty. It starts off with five actors standing skilfully focused in a focal point to the audience. They are working as miners and the rocks suggest that.

 The story unfolds a relationship of two friends which one of them is engulfed by greed and power when he pockets the diamond they found for himself . He becomes swallowed, and forgets his friends. He becomes successful and rich while his friends still struggle. At  the end they capture Goso played beautifully by (Musawenkosi Shabalala,) they cut him open because they think he has swallowed the diamond, they take out his insides in a grotesque scene using real cow intestines, kidneys and liver yet still they don't find the diamond.It was (Ted Mawanga) that delivered an engaging performance with slightness of humour.

This piece is still work in progress which its impressive work shows potential and there is room for growth. The actors had only a week to put this together having said that actors could pay more attention to taking time and not rush.Swallowed is suitable for a mature audience. I must say Iam excited for this play.

Review by Philisiwe Twijnstra 
from left to right:Tafadso Hananda,Bongumusa Shabalala,Ted Mangawa and Nhlakanipho Maphumulo
Photo by Roel Twijnstra